Wednesday, May 19, 2010

Hogfather

Some excerpts from this wonderful book, which will, probably, only make sense to those familiar with a fair share of the Discworld books, particularly the ones about gods or Death. It's nearly half past two in the morning, so I won't bother to explain. Sorry.

Lots of wit and wisdom in here. Plus a fair share of compassion and common sense. Not to be underestimated.

~

She'd become a governess. It was one of the few jobs a known lady could do. And she'd taken to it well. She'd sworn that if she did indeed ever find herself dancing on rooftops with chimney sweeps, she'd beat herself to death with her own umbrella.

After tea she read them a story. They liked her stories. The one in the book was pretty awful, but the Susan version was well recieved. She translated as she read.

'...and then Jack chopped down the beanstalk, adding murder and ecological vandalism to the theft, enticement and trespass charges already mentioned, but he got away with it and lived happily ever after without so much as a guilty twinge about what he had done. Which proves that you can be excused just about anything if you're a hero, because no one asks inconvenient questions.'

~

It was a strange, but demonstrable fact that the sacks of toys carried by the Hogfather, no matter what they really contained, always appeared to have sticking out of the top a teddy bear, a toy soldier in the kind of colourful uniform that would stand out in a disco, a drum and a red-and-white candy cane. The actual contents always turned out to be something a bit garish and costing $5.99. Death had investigated one or two. There had been a Real Agatean Ninja, for example, with Fearsome Death Grip, and a Captain Carrot One-Man Night Watch with a ccomplete wardrobe of toy weapons, each which cost as much as the original doll in the first place. Mind you, the stuff for girls was just as depressing. It seemed to be nearly all horses. Most of them were grinning. Horses, Death felt, shouldn't grin. Any horse that was grinning was planning something.

~

It was a big drink. A very big and very long drink. It was one of those special cocktails where each very sticky, very strong ingredient is poured in very slowly, so that they layer on top of one another. Drinks like this tend to get called Traffic Lights or Raibow's Revenge or, in places where truth is more highly valued, Hello and Goodbye Mr Brain Cell. In addition, this drink had some lettuce floating in it. And a slice of lemon and a piece of pineapple hooked coquettishly on the side of the glass, which had sugar frosted round the rim. There were two paper umbrellas, one pink and one blue, and they each had a cherry on the end. And someone had taken the trouble to freeze ice cubes in the shape of little elephants. After that, there's no hope. You might as well be drinking in a place called the Cococobana.

~

'Good heavens, man, you don't need to worry about that,' said the king heartily. 'It's Hogswatch! I was only just now looking out of the window and I saw you plodding through the snow and I said to young Jermain here, I said, "Who's that chappie?" and he said, "oh, he's some peasant fellow who lives up by the forest," and  I said, "Well I couldn't eat another thing and it's Hogswatch, after all," and so we just bundled everything up and here we are!
'And I expect you're pathetically thankful,' said the page. 'I expect we've brought a ray of light into your dark tunnel of a life, hmm?'
'--yes, well, o' course, only I'd been saving 'em for weeks, see, and there's some bakin' potatoes under the fire, I found 'em in the cellar 'n' the mice'd hardly touched 'em' The old man never raised his eyes from knee leve. ' 'n' our dad brought me up never to ask for--'
'Listen,' said the king, raising his voice a little, 'I've walked miles tonight and I bet you've never seen food like this in your whole life, eh?

'Tears of humiliated embarassment were rolling down the old man's face.
'--well, I'm sure it's very kind of you fine gentlemen but I ain't sure I know how to eat swans and suchlike, but if you want a bit o' my beans you've only got to say..'
'Let me make myself absolutely clear,' said the king sharply. 'This is some genuine Hogswatch charity, d'you understand? And we're going to sit here and watch the smile on your grubby but honest face, is that understood?'
'And what do you say to the good king?' the page prompted.
The peasant hung his head.
' 'nk you.'
'Right,' said the king, sitting back. 'Now, pick up your fork--'

The door burst open. And indistinct figure strode into the room, snow swirling around it in a cloud.
WHAT'S GOING ON HERE?
The page started to stand up, drawing the sword. He never worked out how the other figure could have got behind him, but there it was, pressing him gently down again.
'Hello, son, my name is Albert,' said a voice by his ear. 'Why don't you put that sword back very slowly? People might get hurt.'

A finger prodded the king, who had been too shocked to move.
WHAT DO YOU THINK YOU ARE DOING, SIRE?
The king tried to focus the figure. There was an impression of red and white, but black, too. 
To Albert's secret amazement, the man managed to get to his feet and draw himself up as regally as he could.
'What's going on here, whoever you are, is some fine old Hogswatch charity! And who--'
NO IT'S NOT.
'What? How dare you--'
WERE YOU HERE LAST MONTH? WILL YOU BE HERE NEXT WEEK? NO. BUT TONIGHT YOU WANTED TO FEEL ALL WARM INSIDE. TONIGHT YOU WILL WANT THEM TO SAY: WHAT A GOOD KING HE IS.
'Oh no, he's going too far again--' muttered Albert under his breath. He pushed the page down again.
'No, you stay still, sonny. Else you'll just be a paragraph.'
'Whatever it is, it's more than he's got!' snapped the king. 'And all we've had from him is ingratitude--'
YES, THAT DOES SPOIL IT, DOESN'T IT? Death leaned forward. GO AWAY. 

~

BE HAPPY WITH WHAT YOU'VE GOT, IS THAT THE IDEA?
'That's about the size of it, master. A good god line, that. Don't give 'em too much and tell 'em to be happy with it. Jam tomorrow, see.'
THIS IS WRONG. Death hesitated. I MEAN... IT'S RIGHT TO BE HAPPY WITH WHAT YOU'VE GOT. BUT YOU'VE GOT TO HAVE SOMETHING TO BE HAPPY ABOUT HAVING. THERE'S NO POINT IN BEING HAPPY ABOUT HAVING NOTHING.
Albert felt a bit out of his depth in this new tide of social philosophy.
'Dunno,' he said. 'I suppose people'd say they've got the moon and the stars and suchlike.'
I'M SURE THEY WOULDN'T BE ABLE TO PRODUCE THE PAPERWORK.
'All I know is, if Dad'd caught us with a big bag of pricey toys we'd just have got a ding round the earhole for nicking 'em.
IT IS... UNFAIR.
'That's life, master.'
BUT I'M NOT.
'I meant this is how it's supposed to go, master.'
NO. YOU MEAN THIS IS HOW IT GOES.

(...)

IT IS HOGSWATCH, said Death, AND PEOPLE DIE ON THE STREETS. PEOPLE FEAST BEHIND LIGHTED WINDOWS AND OTHER PEOPLE HAVE NO HOMES. IS THIS FAIR?
'Well, of course, that's the big issue--' Albert began.
THE PEASANT HAD A HANDFUL OF BEANS AND THE KING HAD SO MUCH HE WOULD NOT EVEN NOTICE THAT WHICH HE GAVE AWAY. IS THIS FAIR?
'Yeah, but if you gave it all to the peasant then in a year or two he'd be just as snooty as the king--' began Albert, jaundiced observer of human nature.
NAUGHTY AND NICE? said Death. BUT IT'S EASY TO BE NICE IF YOU'RE RICH. IS THIS FAIR?
Albert wanted to argue. He wanted to say, Really? In that case, how come so many of the rich buggers is bastards? And being poor don't mean being naughty, neither. We was poor when I were a kid, but we was honest. Well, more stupid than honest, to tell the truth. But basically honest. 
He didn't argue, though. The master wasn't in any mood for it. He always did what needed to be done.
'You did say we just had to do this so's people'd believe--' he began, and then stopped and started again. 'When it comes to fair, master, you yourself--'
I AM EVEN-HANDED TO RICH AND POOR ALIKE, snapped Death. BUT THIS SHOULD NOT BE A SAD TIME. THIS IS SUPPOSED TO BE THE SEASON TO BE JOLLY. He wrapped his red robe around him. AND OTHER THINGS ENDING IN OLLY, he added.

Saturday, May 15, 2010

Kom igen, Lena



I love the city I live in.
I want to run through the streets as the sun goes down.
I want to fall in love with someone who loves me back.
I want to dance.
I want to know who I am.
I want someone else to know it, too.
And I don't want to be forgotten.

~

sluta dröm om det ljuva livet, vi kommer aldrig va med om det
og be aldrig mer om ursäkt för sakerna du aldrig gjorde
men det äter upp dig när du ligger i din sang
åh, gud, det gör så ont at nåt så nära kan va så langt bort

jag vet att de bara är fantasier, och nu är hon i mig
och kommer alltid vara
och jag vet at alt är falskt och bedrägeri
men det struntar jag i, för vi dansar och du har så mjuka läppar

åh, kom igen, Lena
vad skulle vi annars göra?
kom igen, Lena
kom igen, Lena

men bryt inte ihop, nu, du är bara en av många
människor jag drömt om
och du kan inte fånga mig, og jag kan inte fånga dig
for jag vet at hela stan vill ha dig

åh, kom igen, Lena
vad skulle vi annars göra?
åh, kom igen, Lena
kom igen
kom igen

jazzhuset är fullt av trix
och coca cola-chicks och kicks
och han har skrivit det och det
och hon är där från sex til sex
och ut på synthesizer-golvet
ned i ljuva livet, upp på taken
över staden, under fabriksmolnen
jag ser: elvispojkarna som
slänger upp påskliljorna
andra långgatan-flickorna
med hjärtat av på mitten
när jag går rundt här i feber
nere vid kanalerna
och nån dag är jag glömt här

åh, kom igen, Lena
vad skulle vi annars göra?
kom igen, lena
kom igen
kom igen
kom igen

River flows in you



Sleep.

Christmas Card from a Hooker in Minneapolis



One of the most beautiful songs I know of. This is the only version of it that I can listen to, because I've absorbed every bit of how Waits uses his voice in it, the sounds he makes, how he shapes his vowels, his lisp... And the story of the song is painful. And it seems so real.

...Makes me very sad.

~

hey, Charlie
hey, Charlie baby, I'm pregnant - again
and I'm livin' on ninth street
right above a dirty bookstore
off cuclid avenue
I stopped taking dope
and I quit drinking whisky
and my old man, well, he plays the trombone
and he works out at the track

he says that he loves me
even though it's not his baby
he says he's gonna raise him up
like he would his own son
he gave me a ring that was worn by his mother
and d'you know something, charlie?
the guy takes me out dancing every saturday night

and charlie baby, man, I still think about you
every time I pass a filling station
on account of all the grease you used to wear in your hair
and believe it or not, man, I've still got that record
by little anthony and the imperials
"going out of my head over you
out of my head over you..."
it's been all this time

and Charlie baby
I almost went crazy after Mario got busted
so I went back to Omaha to live with my folks
but everyone that I used to know
is either dead or in prison
so I came back to Minneapolis, honey
maybe I'll stick around for a while, now

and Charlie... well... you know
I'm holding up all right
I wish I had all the money we used to spend on dope
I'd buy me a used carlot
nah, I don't think I'd ever sell any of 'em
I'd just drive me a different car every day
depending on how I feel

and Charlie, for chrissakes man, you wanna know the truth of it?
I ain't got no husband, baby
nah, he don't play the trombone
I need to borrow money to pay this lawyer, Charlie, hey
they say I'll be eligible for parole
come valentines day

Friday, May 14, 2010

San Diego Serenade



The lovely quiet piano and Waits's lovely voice will make me cry in a bit. I can feel tears taking shape and my chest is getting warm. I wish I could explain why. I don't know how to this time, not really. Some songs are just too beautiful,you can't describe them using any other words than the words of the lyrics... But that's not enough either, you need the song itself, the place where the words meet the melody and they do their little dance and crash together and drift apart and play with each other and work together. I just don't know what to say about this one. it reached out and grabbed at my heart. I'm full of emotions. And there are tears on my face, now. I think I'm in love with Tom waits. For real.

~

I never saw the morning 'til I stayed up all night
I never saw the sunshine 'til you turned out the light
I never saw my hometown until I stayed away too long
I never heard the melody until I needed the song

I never saw the white line 'til I was leaving you behind
I never knew I needed you 'til I was caught up in a bind
I never spoke 'I love you' 'til I cursed you in vain
I never felt my heartstrings until I nearly went insane

I never saw the east coast until I moved to the west
I never saw the moonlight until it shone off of your breast
I never saw your heart 'til someone tried to steal, tried to steal it away
I never saw your tears until they rolled down your face

I never saw the morning 'til I stayed up all night
I never saw the sunshine 'til you turned out your lovelight, baby
I never saw my hometown until I stayed away too long
I never heard the melody until I needed the song